This is the production schedule that we will refer to during the production process. It has been broken up into key stages of the production though will include contingency time.
Wayne Sables gave us some really insightful criticism on our movie, pointing out that he would have preferred it if we had given the killer more subtle and extended some of the images. In addition, he praised the movie, saying it fit the theme we were aiming for and advising us to be more self-assured in our work. He wanted to see more of a narrative behind the characters and their motive for being in the woods. He felt it missed depth which we agreed with next time we will involve a longer introduction especially on the characters. With the feedback we received, w e were able to determine what worked and what didn't work out for us based on the comments we received on our short video. One recurrent problem we discovered is that, given its runtime, the film feels a little bit short. If the storyline and storyboards had been revised before reshooting, this might have been prevented. We didn't ge...
D2-Sound In this article, I'll go over how we used sound to enhance our footage and establish the mood of the movie. First, we used two classic songs from the 1980s and 1990s: Michael Jackson's "Thriller" and the Romantics' "Talking in Your Sleep" in our movie. The absurd soundtrack from the 1980s gives the movie a genuine horror movie vibe. The theme music for thriller was picked because it has a Halloween vibe to it, but is also mostly lighthearted enough to go with the film's unserious/comedic elements. We felt a need for additional noise in the background of the film therefore we found a royalty free ambience horror sound on YouTube and added it to the film. We then lowered the volume of the ambience so it wasn't overpowering. Adding this s...
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